Showing posts with label reflexivity. Show all posts
Showing posts with label reflexivity. Show all posts

Monday, November 13, 2017

Indian film: Bioscopewala

A film about cinema...
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Addie Quested: Right up there with Cinema Paradiso and Good morning Babilonia. Is the genre Bollywood?
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Fruit selling to film showing
Anne Sari: Bollywood is often about drama, music, dance, romance. It doesn’t have much of that. But Hindi cinema contains epic references, family stories and stories within stories. So there’s an element of Bollywood.
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Addie Quested: What prompted the format?
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Anne Sari: Actually it was the story of Kabuliwala, by Rabindranath Tagore that formed the structure.
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Addie Quested: A dried-fruit seller from Kabul. An old story,1892.
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Anne Sari: Yes. We called the girl Mini too, but made put into a modern context. In the 1990s, the bioscopewala, an Afghan itinerant, who showed cinema in the streets, befriended Mini because she reminded him of his daughter. Her father, a photographer, also befriended him. Jump forward twenty years, Mini’s father died on his way to Kabul, the bioscopewala has been in prison and lost his mind, so Mini sets out on a pilgrimage to put the pieces together.
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Voice-over

Bioscopewala: a bioscope is a simple cinema, a wala is one who runs a bioscope. Echoes of literature, twists in the plot, the characters struggle and develop. Good one!
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Sunday, November 5, 2017

Spanish film: Sad Hill Unearthed

Documentary about the location of The Good, the Bad and the Ugly (GBU)
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Lee: Opens at a massive rock concert, close-up of lead singer.
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Eli: What did that have to do with a spaghetti western film set?
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Lee: You’ll see. Stay with me. The original location was in Spain, though it was about the American Civil War. An artificial graveyard was being restored by a group of enthusiasts who went on social media, attracted volunteers to scrape and dig to unearth the original site, crowd-funded it too.
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Eli: The power of the group.
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Lee: And they also interviewed the composer, Ennio Moricone, had to use archive footage of the director, Sergio Leone, because he’d died years ago. There were interviews with Clint Eastwood, and biographer Christopher Frayling, and with film critic Stephen Leigh.
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Eli: So they mixed the authentic original people with those who captured the historical cinematographic aspects?
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Lee: Stunning 4K clarity in 16:9 mixed with archive footage in 4:3 cinéma vérité.  Droneswoops over the site and circling back to an interview with Metallica’s lead singer, James Hetfield.
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Eli: And the relevance of that?
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Lee: Metallica have used the theme of GBU in gigs for 30 years. That Moricone score, basically only four notes, guitars then Mariachi trumpets. One of the most haunting movie melodies.
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Voice-over

A documentary that is a celebration of a memorable movie (Il Buono, il Brutto, il Cattivo), a tribute to how it was made, and a record of the location restoration. A double reflexive-mode (see Bill Nichols) documentary; the recording of the making of the movie itself within a recording of the making of the documentary. A nested narrative.
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Saturday, October 10, 2015

Reflexive Museums

Video stole the photo show
At Fotografiska…
Henson: Sleek photos.

Bäckman: Very Vogue. And look. Inez and Vinoodh made a video of their stills workflow.  Documents their approach and technique.
Nordiska Museet

Henson: Very reflexive!

Bäckman: Reminds me of the Nordisk Museum. One display dedicated to how the museum was constructed. An exhibition of the museum itself.

Henson: Reflexive.
Salvaging the Vasa


Bäckman: The Vasa Museum did that too.

Henson: What a ship. Vast.

Bäckman: Much of the museum is about how the ship was raised from where it sank.
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Voice-over

Reflexivity: a concern for the process as well as the product.

Thursday, February 5, 2009

Meeting a Storm Trooper

Agog meets the Tokyo Storm Trooper.

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Agog: Finally get to meet you.

Storm Trooper: Nice to see you. Thanks for coming.

Agog: Odd. We’ve met so many times online, and now I actually get to meet you, well, you look just like your picture.

Storm Trooper: Thank you.

Agog: Doesn’t Lucas ever say, hey you can’t look like that, you can’t impersonate a storm trooper?

Storm Trooper: Nope. I’m a volunteer storm trooper. I sing and dance for charity.

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Voice-over

Nice touch on Storm Trooper’s part including a reflexive motif in the background. Wonder what the position is on impersonating a police officer for charity?

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Wednesday, February 4, 2009

Reflexivity vs benign equilibrium

Chatting in the soup line…

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Georgina: The market doesn’t just seek a benign equilibrium. There’s what we might call reflexivity involved. Which is…

Roberta: You put too much emphasis on behavioral finance. If you could figure more than one variable at once…

Georgina: I’m not claiming I’m great at simultaneous equations. What I am saying is that economists don’t take into account the power that people have to drive the market. Times are good, people buy stocks. They buy more stocks, companies buy other companies and sell those stocks. Optimism is everywhere. Rationality is thrown overboard, the prices are too high, it’s all unsustainable and a crash comes. Then everyone panics, they sell off wildly, the prices plunge, often way below their real value, but the investors are too scared to come back to the market for a long time. For months. Sometimes for years.

Roberta: That’s what you call reflexivity?

Georgina: People looking inward, not looking out. It’s a factor. Taking account of psychology drove the Quantum Fund up 4000 percent  between 1970 to 1980 when the market went up only 50 percent. And four weeks is all it took for people to panic and halve the value of their pension funds.

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Voice-over

At times like these are not only new crises to cope with but new ideas to explain what went wrong. But it may be small comfort even when you know why it all happened.

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Wednesday, April 9, 2008

Reflexivity

Diane explains to Juanita that she rewrote her proposal.

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Diane: I mean it’s a conference on language and when I finished the proposal I realized the whole paper was going to be about technology and I’d called it “Technical issues related to texting.”

Juanita: So you just renamed it “How texting affects how we talk”?

Diane: No, I had to throw out all the technical stuff and when I’d done that I saw there weren’t any language issues left.

Juanita: Hard.

Diane: So I designed a new study. I now have the subjects texting messages to each other.

Juanita: It’s been done.

Diane: Not this way. The messages they send have to be about problems with texting.

Juanita: Very reflexive. Texts about texting. Nice one Di.

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Voiceover

Reflexive, meaning to refer to oneself. Reflexive, as in reflexive pronouns like myself, herself, itself. Reflexive verbs, of which there are almost none in English (perjure [oneself]) but many in languages like French or Serbo Croatian. Reflexivity in the sciences where circular relationships can occur, as when the act of observation can influence an outcome.

In this case Juanita is offering a McLuhanesque explanation. Diana has chosen a medium whose message refers to itself.

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