Showing posts with label myth. Show all posts
Showing posts with label myth. Show all posts

Tuesday, September 5, 2017

Myths about marigolds

After the White Rabbit posting…
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Church secretary: A reader wrote in pointing out that marigolds cannot actually turn rabbits to stone.
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Tagetes patula
Archdeacon: There’s a lot of myths mistakenly attributing supernatural prowess to marigolds.
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Church secretary: But they do kill bugs, right?
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Archdeacon: Gardeners do say that if you plant marigolds near your veges, it prevents pests. And they keep nematode numbers down.
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Church secretary: Intriguing. How many marigolds should I plant?
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Archdeacon: It takes a lot of marigolds to deal with insects. And you need bushes of the Tagetes marigold to have any effect on nematodes. Science is more complicated than popular wisdom.
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Voice-over
A little knowledge simplifies. But over-simplification obscures.
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Tuesday, December 27, 2016

Urashima Taro and the Farewell Speech

I have been a teacher for 50 years. Half of those years have been at this Palace of Economics.
I feel a little like Urashima Taro.
I came here in 1990. It seems like yesterday.

One day, I met a professor who said, “I’m working at a great place, the Palace of Economics. Shall I introduce you?”
At the Palace of Economics, professors asked me, “Why do you have an interest in coming here?”
“Well, I like economics. The ideas of Adam Smith, John Maynard Keynes and Milton Friedman, and in management theory, Peter Drucker and his sense of history.

Also, I have been reading The Economist every week since 1982. In 1990, Margaret Thatcher was often on the cover.

The Economist has a good variety of information.
Not just economics.
For example, recently, there was an interesting article “How to Make a Good Teacher.”

Among the several main points of the article were:
Feedback to the students, 90% effective.
Develop students’ metacognitive strategies, 80% effective.
Employ peer tutoring, 60% effective.

I incorporated these ideas my teaching approach.

Students sometimes asked me questions. This is Japan so it was “sometimes”.

For example, “Why did you become a teacher?”
I like to help people. Helping makes you feel good. A win-win arrangement. Not zero-sum.

“Why did you come to Japan?”
This is the “S” answer. Not just sushi, sashimi and sake.
Japan is a sophisticated, secure, sincere country.
Japan is a place I can regard as a home.

“What will you do in the future? “
I believe in two important concepts to a satisfying life: a sense of identity and sense of community.”
And every week I will read The Economist. As usual, I will always open it to the back page first. There you can find an obituary. The life of a famous person is summarized. Always well-written and inspirational.

When he left the Palace of the Sea King, Urashima Taro was given a box. He was told he must never open it.

But he went back to his home country, and opened the box and white smoke came out…  He became VERY OLD.

One possible moral for the Urashima Taro story is that after a person has left his homeland, he will change and his homeland will also change. Return is a challenge.

So perhaps, for a little while, I will stay here in Japan, to avoid the white smoke…
Thank you very much to everyone for a treasured experience in the Palace of Economics!

Delivered as follows in Japanese:
私が50年間に教員の仕事をすごしまた。27年間は経済宮殿でした。
ちょっと浦島太郎の感じます。1990年につきました。昨日のような気持ちですね。
ある日、ある教授と合って、「私が素晴らしい所でPalace of Economics働いています。経済宮殿に紹介しましょう」と言いました。
その経済宮殿で教授さんたちが私に「なぜここに興味ありますか」と聞きました。
「さあ、経済学を好きですね。Adam Smith, John Maynard Keynes, Milton Friedman と経営学者Peter Druckerの思想を好きです、特にDrucker歴史のセンス。
又、毎週1982年からThe Economistと言おう新聞を読み続けていました。」
1990で、Margaret Thatcherは、表紙によく乗っていました。

The Economistは色な情報がはいています。経済学だけじゃなくて。例えば、最近、面白い記事がありました。「いい教員になるとは?」
その記事の要点は:
先生からが学生にフイッドバックする90%効果。
メタ認知戦略を発展させる80%効果。
ピア・チュータリング を利用する70%効果。
これは私の教えるアップローチと似ていました。

学生たち時々私に質問を聞きました。
まあ、これは日本だから、時々ですね。
例えば、「なぜ教員になりましたか」人と助け合いを好きです。助け合うと気持ちよくする。 A win-win (勝つ)状況。
Zero-sumではない。

「なぜ日本にきましたか」S文字の理由がたくさんある。寿司と刺身と酒だけではなくて。
日本という国は麗しい(sophisticated)、安全性がある(secure)、誠実(sincere)な社会です。日本は私が故郷と考えることができる場所です。

「将来に何をしますか」
私が満足の人生のために、二つの重要な原則があると思います:アイデンティティと連帯感。
毎週The Economistを読むつもりです。いつも最初の読む記事が最後ページにあります。それは死亡記事ページです。有名人の人生は要約されています。いつも、よく書かれて、インスピレーションです。

海の王の宮殿を出た時に、浦島太郎さんが箱を差し上げられました。「決して、この箱を開けないでください」と言われていました。しかし、自分の国に帰ると浦島太郎さんがその箱を開けて、白い煙が出てきました。彼は非常に老人になりました。

浦島太郎という物語の一つの教訓は、自分の国出る人は、自分の故郷を出た後、その故郷が変わってしまう。そして、その旅行する人も、正確と感覚も変わります。帰国するのは難しくなります。

だから、しばらく、その白い煙を避けるために、私が日本にもう少し過ごそうと思っています。皆様、経済宮殿で、私の貴重な経験を大変ありがとうございました。

Thursday, July 10, 2014

Tanabata, Pegasus and Laputa

An exchange student rewrites a Japanese myth…
Eiko: July 7 is Tanabata.

Starlight: Tana – what?

Eiko: Orihime, the WeaverPrincess and Hikoboshi, the CowHerderStar, were married. There was a leadup to this but we'll skip that. Once married they got a bit lazy, weaving and cow herding. Orihime's father became annoyed and stuck them on opposite sides of the Milky Way and allowed them to meet only once a year, and only then if they had done their work diligently for a year. So every July 7 they can cross the Milky Way and meet on a bridge made of wings of magpies flying together.

Starlight: MAGPIE wings?

Eiko: Sounds a bit far-fetched, doesn’t it? Maybe these days they might use FaceBook, or Skype each other?

Starlight: Out of keeping with the original story. How about… (thinks) How about that winged horse, Pegasus, flies down and carries them to some meeting place?

Eiko: I know. Up to Laputa, Castle in the Sky.
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Voice-over

Guest Blogger “Starlight” came up with this incredibly credible contemporary ending: Pegasus flying the pair to Laputa for their annual holiday. All the more apt for a Milky Way location since Pegasus is a star constellation. And the link to Miyazaki Hayao’s Laputa revitalizes Tanabata into a modern myth.
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Wednesday, September 12, 2012

The artist, the fan and the critic


The comic artist answers a fan and a critic…
Fan: So now you have a contract?
Artist: Yeah. Illustrating Where in the World is Dracula.
Fan: What did you do in that first one? Vampire in Detroit. No fangs, no cape?
Critic: It broke the myth.
Artist: Suited the location. Prosaic place.
Critic: It diluted the horror. No cape, no fangs, no fear.
Artist: Species adapt as they migrate.
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Failure of suspended disbelief
Voice-over
Storytellers adapt narration, location, and decoration. Superman kisses Lois Lane on the moon. Earth in the background. No space suits, no air bubbles. My willing suspension of disbelief pops. The myth is broken by a splinter of science in my head. The old myth fails, the new myth flails. Methinks the artist doth simplify too much.
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