Showing posts with label George Clooney. Show all posts
Showing posts with label George Clooney. Show all posts

Monday, May 9, 2016

Interviewing a film celebrity

James Lipton and George Clooney on Inside the Actors Studio




Radio interview techniques in film…

James Lipton: You have acted in many films.

George Clooney: Over 60, yes.

James Lipton: And as producer or director.

George Clooney: 30 times.

James Lipton: Do you work for money?

George Clooney: I work because I want to enjoy what I do. The money and fame doesn’t matter. I choose films I want to make and will make a statement; ones that will leave a legacy.

James Lipton: Have you ever felt rejected?

George Clooney: Actors feel badly rejected when they don’t get a role. They’re selling a product - themselves. If they get rejected, that’s personal.

James Lipton: What do you consider your best film?

George Clooney: One that I feel was worthwhile doing was Good Night and Good Luck. My father was a news anchorman and I majored in journalism at college so I had a special interest in doing the story of TV journalist Ed Murrow and his battle to discredit Joseph McCarthy’s anticommunist hysteria in 1953.
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Voice-over
James Lipton is famous for reading his questions off index cards and then staring at the interviewee. Although his Inside the Actors Studio celebrity interviews are filmed, this technique would also work well as a radio interview. Or as a podcast.
Some of his interview question techniques:
Get the background out of the way with a statement: “You are… You have…”
Use research to praise: “Do you work for money?” Obviously not.
Use something surprising to probe for an uncomfortable insight: “Have you ever felt rejected?”
End on a high note: “…your best film?”
And then turn the show over to the student questions.

Tuesday, May 1, 2012

White Rabbit on a Motorcycle


White Rabbit, White Rabbit, White Rabbit

It’s that DAY
This year in MAY
We can PLAY
On a HarLAY!

Apologies for the awful tooney.
Don’t follow Clooney.
Fall off doing a hooney.
Really it wasn’t fooney.

White Rabbit, White Rabbit, White Rabbit.
Hip hop, hip hop, hip hop.
Grbp, Grbp, Grbp.
Good Luck, Good Luck, Good Luck!

__________
Voice-Over
No less a writer than A.A. Milne indulged in hopping rhymes. Hops have rhythm.

Christopher Robin goes
Hoppity, hoppity,
Hoppity, hoppity, hop.
Whenever I tell him
Politely to stop it, he
Says he can't possibly stop.

If he stopped hopping,
He couldn't go anywhere,
Poor little Christopher
Couldn't go anywhere...
That's why he always goes
Hoppity, hoppity,
Hoppity,
Hoppity,
Hop.
...

Sunday, March 18, 2012

Finger-wagging as a diversion?














Sean challenges George.
Sean: Why did you get yourself arrested?
George: Draw attention to the issue. To make a point about Sudan.
Sean: And I believe Scotland should be independent but I don’t wag the finger at the English. There are other ways.
George: You’re wagging the finger at me now. Another reason is that I don’t wear makeup in movies or in public and it’s starting to show. I needed a diversion. I wagged a finger.
Sean: And I want to become old with a good face, like Picasso.
___________
Voice-over
Finger-wagging, denoting disapproval, admonition, perhaps shame on you, also expressed in smiley code as [-X. It’s usually to emphasize a point than divert attention. Unless you happen to be an aging actor.
...