Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Monday, May 5, 2025

Sōseki meets Hearne in Kumamoto

A curious symmetry as H departs for Tokyo, S arrives.

Hearne: It is not an easy place to settle. There is a loneliness.

Sōseki: I’ve only just arrived and do not sense desolation.

Hearne: Not desolation, a persistent stillness. As if the mountains brooding. The trees are listening. And the mists veil ghosts.

Sōseki: Well, I come here in search of solitude. Balm for my spirit. I have read your accounts, though I take them with both admiration and caution. But surely not all phantoms are malicious?

Hearne: Not malicious, no—but they are insistent. I once encountered a noodle vendor by the roadside near Suizenji. The hour was late, the fog low. He had no face. And yet he bowed courteously, and vanished.

Sōseki: A faceless vendor? A tale to chill the ink in one's brush. But you have always had eyes to see what others cannot—or will not.

Hearne: Be wary where you walk alone.
Sōseki: And I mean to walk often. These mountains—Aso, Kinpō—they beckon like pages yet unread. Perhaps if I write, it shall be to give voice to the stones, not the spirits.

Hearn: A noble ambition. But the stones have long memories, and they may speak of things you would rather forget. Japan is beautiful, but a beauty layered with sorrow.

Sōseki: What land is not? But I have grown weary of cities and the endless disquiet they bring. Perhaps the sorrow here, being older, is more honest.

Hearne: Honest, yes. But unyielding. Do not expect comfort from it. I found no companions in here—only watchers. The people are courteous, but the silence is not benign.

__________

Voice-over

Sōseki notes that Hearne is a foreigner in Japan, just as Sōseki himself was a foreigner in England which gave him a deep loneliness. They part with mutual respect, Hearne cautioning Sōseki he may wake one morning and find himself not in the year he thought it was, nor in the skin he assumed was his. Sōseki replies that he shall write to anchor himself drawing a distinction between them that Hearne walked through mists; and he, Sōseki will seek stone paths to walk.

Thursday, October 12, 2023

Toad Hall Café

At a roadside café…

Gina: Some healthy-looking dishes. But why call it Toad Hall?

Natalie: Recalls The Wind in the Willows.

Gina: I read it as a kid. But why an eatery?

Natalie: Probably for its whimsical and playful connotations, rather than any direct association with Toad. I mean, he’s looks cute up there, right?

Gina: In the book Toad was a recklessness, arrogant, and impulsive character. A kind of caricature of the wealthy upper class of England.

Natalie: Agreed. He steals cars, drives recklessly, and even ends up in jail. 

Gina: There are people who do that today. Go further in fact. Use the car to ram raid shops. Better order.

Natalie: Think I’ll go for Toad’s recommendation: Smashed Pumpkin.

__________

Voice-over

Toad is a character foil to his responsible friends, Ratty, Mole and Badger. Symbolically he can represent the human struggle between impulse and responsibility. His character arc involves learning lessons about the consequences of his actions and growing as an individual. As part of growing, people learn to balance their desires and responsibilities in life.

Thursday, September 15, 2022

Translating a title: Kusa Makura or Grass Pillow?

Natsume Soseki house
A small pilgrimage..

Xavier: Here we are. Natsume Soseki’s third house.

Dennis: Where he wrote Kusa Makura in 1906?

Xavier: Also known as Three-Cornered World in the 1965 translation.

Dennis: Huh?

Xavier: A phrase taken from the book. But the 2008 translation kept the name Kusa Makura, meaning “grass pillow”, an allusion to travel in Japanese.

Kusa Makura Road

Dennis: I hear in Shimasaki is the road up the mountain which inspired the novel.

Xavier: It’s an energetic walk but it feels like you’ve stepped back into a Japan of hundred years ago.

__________

Voice-over

Translation of a title is a challenge to capture the spirit of an original work. Keep the original language, literally translate it, use an equivalent expression, or just pluck an idea from the original text. Or maybe subtitle it as Grass Pillow: Resting on a Journey. It captures the Meiji idiom.

Sunday, May 29, 2022

Faust Revisited

From 1971

Sebastian: When we were students, twelve of us, living in an old rambling house. There was a large room which served well for parties. And one of the residents rewrote a play, Faust. Based on his last hour before the devil came to take him. I just found the script..

Vivienne: Dramatic.

Give me more time!
Sebastian: It was. Declamatory, as befits a conversation between a man who has an hour to live and the devil. “I need more time. I pray you, beseech you, plead with you, grant Faustus more time.” That was fifty years ago. 

Vivienne: I wonder where he is now.

Sebastian: I did meet him a few times over the years. But the drama he was writing about invaded his personality. His mellow nature became unpredictable, angry and his humor turned even darker. It’s as if he knew the devil was shadowing him and time was running out..

Vivienne: Dramatists beware. 

_______

Voice-over

It was a brave declamatory script. Elizabethan in voice. The performance featured guttering candles and dry ice smoking on the floor. The writer-director was gifted but he walked away from literature by moving to Australia to dig for opals in the outback. He found some and followed a path challenging all as he stamped his way through a brave and somewhat uncompromising life.