Showing posts with label Akira Kurosawa. Show all posts
Showing posts with label Akira Kurosawa. Show all posts

Wednesday, July 7, 2021

Rashomon as a Shakespearean set

A black and white photo…

Beatrice: What’s this?

Nausicaä: Rashomon. The opening scene. Kurosawa’s film. 1950.

Beatrice: I remember now. Pretty bleak. How did it begin? Rain. What rotten weather. Didn’t have to say that. You could see it. 

Nausicaä: No, the first words by the woodcutter are,”I don’t understand.” And then commoner arrives, seeking shelter, and wants to know what it is that’s not understood. And so the stories are told. The different versions of what happened between the samurai, his wife and the bandit.

Beatrice: What was the function of the gate, Rashomon?

Nausicaä: It was a stage setting. And well chosen.

_______________

Voice-over

Japan has dramatic weather. Just as the rain lashed Rashomon, every year there are floods. Fewer bandits and lawlessness there may be, but natural disasters still cause havoc and take lives. Like the Atami mudslide.

And at the moment… the rain it raineth every day.

"He that has and a little tiny wit / With heigh-ho, the wind and the rain / Must make content with his fortunes fit, / For the rain it raineth every day.” 

Fool in King Lear. William Shakespeare: Act 2, Scene 3.

Rashomon had a Shakespearean air.

Sunday, May 27, 2012

Film as a mirror of culture

Ozu and Kurosawa in one frame each...
Film can be a mirror of culture.
Something like national cinemas? But can it be defined?
Tricky term “national cinema.” Needs words. I like the term “mirror of culture.” Graphic.
But different directors have a different view of the culture they film. Presumably there are extremes? Sometimes a quiet reflective cultural portrait. Sometimes a rambunctious rollicking riproaring one?
Something come to mind?
Hmmm.

Haaa!
How about Ozu and Kurosawa?
Ah. Tokyo Story and Seven Samurai?
Precisely.

_________
Voice-over
“National Cinema” is a term which scholars cannot agree on (Andrew Higson). It might be related to where the film is made, who made it, what it’s about and why it was produced.  “Cultural mirror”, is an image used by Harvie Conn to suggest that film reflects attitudes, values, philosophies and lifestyles.
...