Showing posts with label Natsume Soseki. Show all posts
Showing posts with label Natsume Soseki. Show all posts

Monday, May 5, 2025

Sōseki meets Hearne in Kumamoto

A curious symmetry as H departs for Tokyo, S arrives.

Hearne: It is not an easy place to settle. There is a loneliness.

Sōseki: I’ve only just arrived and do not sense desolation.

Hearne: Not desolation, a persistent stillness. As if the mountains brooding. The trees are listening. And the mists veil ghosts.

Sōseki: Well, I come here in search of solitude. Balm for my spirit. I have read your accounts, though I take them with both admiration and caution. But surely not all phantoms are malicious?

Hearne: Not malicious, no—but they are insistent. I once encountered a noodle vendor by the roadside near Suizenji. The hour was late, the fog low. He had no face. And yet he bowed courteously, and vanished.

Sōseki: A faceless vendor? A tale to chill the ink in one's brush. But you have always had eyes to see what others cannot—or will not.

Hearne: Be wary where you walk alone.
Sōseki: And I mean to walk often. These mountains—Aso, Kinpō—they beckon like pages yet unread. Perhaps if I write, it shall be to give voice to the stones, not the spirits.

Hearn: A noble ambition. But the stones have long memories, and they may speak of things you would rather forget. Japan is beautiful, but a beauty layered with sorrow.

Sōseki: What land is not? But I have grown weary of cities and the endless disquiet they bring. Perhaps the sorrow here, being older, is more honest.

Hearne: Honest, yes. But unyielding. Do not expect comfort from it. I found no companions in here—only watchers. The people are courteous, but the silence is not benign.

__________

Voice-over

Sōseki notes that Hearne is a foreigner in Japan, just as Sōseki himself was a foreigner in England which gave him a deep loneliness. They part with mutual respect, Hearne cautioning Sōseki he may wake one morning and find himself not in the year he thought it was, nor in the skin he assumed was his. Sōseki replies that he shall write to anchor himself drawing a distinction between them that Hearne walked through mists; and he, Sōseki will seek stone paths to walk.

Wednesday, September 21, 2022

One way to start a book

The first sentence…

Madeleine: I’ve got writer’s block at the first sentence.

Maurice: The start is crucial. The first sentence grabs the reader, sets the scene.

Madeleine: The writer is saying, in effect, attendez-moi, regarde ça?

Maurice: Forster’s Howards End began, “One might as well start with Helen’s letters to her sister.” Zadie Smith was impressed with that so she started her On Beauty with a brazen copy, “One may as well begin with Jerome’s e-mails to his father.”

A good start..

Madeleine: But my book is a book of reflections as I travel around Japan.

Maurice: Here’s just the thing. The opening of Soseki’s Kusa Makura: “As I was going up the mountain road, I thought of this."

Madeleine: So I should walk up a mountain road and be struck with a great realization?

Maurice: Good beginning. As I was walking up the mountain road, I had an epiphany.

__________

Voice-over

Maurice went on to say “Acknowledge if you borrow. As with Zadie Smith, a book of thoughts while traveling in Japan could benefit from a close reading of the original. And then decorate the story, take it in unexpected directions. And make sure it’s not just epiphanies, add some action.”

Thursday, September 15, 2022

Translating a title: Kusa Makura or Grass Pillow?

Natsume Soseki house
A small pilgrimage..

Xavier: Here we are. Natsume Soseki’s third house.

Dennis: Where he wrote Kusa Makura in 1906?

Xavier: Also known as Three-Cornered World in the 1965 translation.

Dennis: Huh?

Xavier: A phrase taken from the book. But the 2008 translation kept the name Kusa Makura, meaning “grass pillow”, an allusion to travel in Japanese.

Kusa Makura Road

Dennis: I hear in Shimasaki is the road up the mountain which inspired the novel.

Xavier: It’s an energetic walk but it feels like you’ve stepped back into a Japan of hundred years ago.

__________

Voice-over

Translation of a title is a challenge to capture the spirit of an original work. Keep the original language, literally translate it, use an equivalent expression, or just pluck an idea from the original text. Or maybe subtitle it as Grass Pillow: Resting on a Journey. It captures the Meiji idiom.