A proposal for a deconstructionist study deconstructed.
Film Student: I want to deconstruct Alison Klayman’s
documentary Never Sorry, a look at the
work of Chinese artist activist AWW.
Professor: How are you deconstructing the film?
Film Student: By applying Bill Nichols’ modes and assigning a mode to
each take.
Professor: Isn’t that just analyzing the film?
Film Student: Well, it’s a critical analysis of the internal workings
of the film. How it was conceived, how it was shot, how it was edited. Deconstructing
it in terms of Nichols’ modes.

_________
Voice-over
Never Sorry is a documentary. Bill Nichols is a film critic and
theoretician.
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